Psico (Remake 1998)

Info About Psycho's Remake:

Psycho is a 1998 American mystery horror thriller film produced and directed by Gus Van Sant for Universal Pictures, a remake of the 1960 film directed by Alfred Hitchcock. Both films are adapted from Robert Bloch's 1959 novel of the same name, which was in turn inspired by the crimes of Wisconsin serial killer Ed Gein.
Although this version is in color, features a different cast, and has been set in a contemporary timeframe, it is closer to a shot-for-shot remake than most remakes, often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and recorded in stereo. Some changes are introduced to account for advances in technology since the original film and to make the content more explicit. Murder sequences are also intercut with surreal dream images. The film was both a commercial and critical failure in comparison to its 1960 counterpart, which was successful in both fields.

Plot

Marion Crane steals $400,000 from her employer to get her boyfriend, Sam Loomis, out of debt, and flees Phoenix, Arizona by car. While en route to Sam's California home, she parks along the road to sleep. A highway patrol officer awakens her and, suspicious of her agitated state, begins to follow her. When she trades her car for another one at a dealership, he notes the new vehicle's details. Marion returns to the road but, rather than drive in a heavy storm, decides to spend the night at the Bates Motel.
Owner Norman Bates tells Marion he rarely has customers because of a new interstate nearby and mentions he lives with his mother Norma in the house overlooking the motel. He invites Marion to have supper with him. She overhears Norman arguing with his mother about letting Marion in the house, and during the meal, she angers him by suggesting he institutionalize his mother. He admits he would like to do so, but does not want to abandon her. Later that night, while Marion is changing, Norman secretly watches her from a peephole in his office and masturbates before heading back to the house.
Marion resolves to return to Phoenix to return the money. After calculating how she can repay the money she has spent, Marion dumps her notes down the toilet and begins to shower. An unidentified female figure presumed to be Norman's mother enters the bathroom and stabs Marion to death. Later, finding the corpse, Norman is horrified. He cleans the bathroom and places Marion's body, wrapped in the shower curtain, and all her possessions — including the money — in the trunk of her car and sinks it in a nearby swamp.
Sam is contacted by both Marion's sister, Lila, and private detective Milton Arbogast, who has been hired by Marion's employer to find her and recover the money. Arbogast traces Marion to the motel and questions Norman, who unconvincingly lies that Marion stayed for one night and left the following morning. He refuses to let Arbogast talk to his mother, claiming she is ill. Arbogast calls Lila to update her and tells her he will contact her again in an hour after he questions Norman's mother.
Arbogast enters Norman's house and at the top of the stairs is attacked and murdered by the Mother figure. When Arbogast does not call Lila, she and Sam contact the local police. Deputy Sheriff Al Chambers is perplexed to hear that Arbogast saw a woman in a window, as Norman's mother died ten years ago. Norman confronts his mother and urges her to hide in the cellar. She rejects the idea and orders him out of her room, but against her will Norman carries her to the cellar.
Posing as a married couple, Sam and Lila check into the motel and search Marion's room, where they find a scrap of paper in the toilet with "$400,000" written on it. While Sam distracts Norman, Lila sneaks into the house to search for his mother. Sam suggests to Norman that he killed Marion for the money so he could buy a new motel. Realizing Lila is not around, Norman knocks Sam unconscious with a golf club and rushes to the house. Lila sees him and hides in the cellar where she discovers the mummified body of Norman's mother. Wearing his mother's clothes and a wig and carrying a knife, Norman enters and tries to attack Lila, but she is rescued by Sam.
After Norman's arrest, forensic psychiatrist Dr. Fred Richmond tells Sam and Lila that Norman's dead mother is living in Norman's psyche as an alternate personality. After the death of Norman's father, his mother found a lover. Norman went over the edge with jealousy and murdered both of them. He stole her corpse and preserved the body. When he is Mother, he acts, talks, and dresses as she would. Norman imagined his mother would be as jealous of a woman to whom he might be attracted just as he was of his mother's lover, and so Mother kills any woman for whom Norman has feelings; when Norman regains consciousness, he believes that his mother has committed the crime, and covers up for her. Richmond concludes that the Mother personality has now taken complete control of Norman's mind, erasing his existence.
In the final scene, Norman sits in a cell, thinking in Mother's voice. In a voice-over, Mother explains that she plans to prove to the authorities she is incapable of violence by refusing to swat a fly that has landed on her hand. Marion's car is shown being recovered from the swamp, and is followed by the ending credits.

Cast

• Vince Vaughn as Norman Bates, the proprietor of the Bates Motel.
• Julianne Moore as Lila Crane, Marion's neurotic and concerned sister.
• Anne Heche as Marion Crane, a young woman who steals $400,000 in cash to start a new life with her boyfriend.
• Viggo Mortensen as Sam Loomis, Marion's boyfriend. His relationship with Marion is under stress due to his looming debts.
• William H. Macy as Milton Arbogast, a private detective hired to find Marion after she vanishes.
• Robert Forster as Dr. Simon Richmond, a psychiatrist.
• Philip Baker Hall as Sheriff Al Chambers, the local sheriff who knows Norman.
• Anne Haney as Eliza Chambers, his wife.
• Rance Howard as George Lowery, Marion's boss.
• Chad Everett as Tom Cassidy, the client from whom Marion steals the money.
• Rita Wilson as Caroline, Marion's co-worker at the real estate office.
• James Remar as a highway patrolman
• James LeGros as Charlie, a used car dealer.
• Mike "Flea" Balzary as Bob Summerfield, Sam's assistant at the hardware store.

Vaughn and Moore starred together in the 1997 film The Lost World: Jurassic Park.
Director Gus Van Sant, emulating Hitchcock's practice of making cameo appearances in his films, appears as "Man talking to man in cowboy hat" at the same point in his film when Hitchcock made his appearance in the original. According to the DVD commentary track that featured Van Sant, Vaughn, and Heche, Van Sant's character is being scolded by Hitchcock in the scene. The voice of Norma Bates was provided by Rose Marie, who is uncredited.^[3]

Production

The audio commentary track that accompanies the DVD release of the film, and the making-of documentary (Psycho Path) that the DVD includes, provide numerous details about where the film strived to remain faithful to the original, and where it diverged. Some changes are pervasive: as the film opens, it is made clear that it is set in the late 1990s, so minor changes are made throughout the dialogue to reflect the new timeframe. For example, all the references to money are updated (how much Marion Crane steals, how much a car costs, how much a hotel room costs), as are references to terms from the original script (e.g., "aspic") that would seem anachronistic in the new setting. According to Van Sant, in the original the only fully fleshed out character was Norman Bates; the other major characters were more iconic, purposely written and portrayed to advance the plot; Van Sant relied upon his main cast more to flesh out and make consistent their character's motivations and worked with them to determine to what degree their characters were similar to the originals.
According to the commentary by Van Sant, Vaughn, and Heche, some actors, such as Macy, chose to stay true to the original, while others, such as Vaughn and Moore, interpreted the dialogue and scenes from the original film differently; Moore's version of Lila Crane, for example, was much more aggressive than the one portrayed by Vera Miles, and there are differences in Marion Crane's evolving attitudes about the money she stole. The cinematography and the cinematic techniques were consistent between the two films in many of the film's most memorable scenes, including the shower scene, scenes of the mother, scenes of the swamp, and the scene of Arbogast on the staircase, but other scenes changed significantly, particularly the climax, and the Dr. Simon monologue at the end, which was much shorter. Van Sant's comments from the commentary track attributes many of the updates to the need to make the film more accessible to a new audience.

Release

Reception

This version of Psycho received generally negative reviews; it was awarded two Golden Raspberry Awards, for Worst Remake or Sequel and Worst Director for Gus Van Sant, while Anne Heche was nominated for Worst Actress. Camille Paglia commented that the only reason to watch it was "to see Anne Heche being assassinated", but that "it should have been a much more important work and event than it was."^[5]
A number of critics and writers viewed Van Sant's version more as an actual experiment in shot-for-shot remakes. Many people refer to this film as a duplicate of the 1960 film rather than a remake. Film critic Roger Ebert, who gave the film one-and-a-half stars, wrote that the film "demonstrates that a shot-by-shot remake is pointless; genius apparently resides between or beneath the shots, or in chemistry that cannot be timed or counted."^[6] Screenwriter Joseph Stefano, who wrote the original script, thought that although she spoke the same lines, Anne Heche portrays Marion Crane as an entirely different character.^[7] Even Van Sant admitted that it was an experiment that proved that no one can really copy a film exactly the same way as the original.^[8]
Janet Maslin gave the film a positive review, calling it an "artful, good-looking remake (a modest term, but it beats plagiarism) that shrewdly revitalizes the aspects of the real Psycho (1960) that it follows most faithfully but seldom diverges seriously or successfully from one of the cinema's most brilliant blueprints"; she noted that the "absence of anything like Anthony Perkins's sensational performance with that vitally birdlike presence and sneaky way with a double-entendre ("A boy's best friend is his mother") is the new film's greatest weakness."^[9]
Leonard Maltin's Movie Guide classified the film as a "BOMB", compared to the four-out-of-four stars he gave the original. He describes it as a "Slow, stilted, completely pointless scene-for-scene remake of the Hitchcock classic (with a few awkward new touches to taint its claim as an exact replica.)" He ultimately calls it "an insult, rather than a tribute, to a landmark film."^[10]

Soundtrack

Main article: Psycho (1998 soundtrack)

The film's soundtrack, Psycho: Music from and Inspired by the Motion Picture, included Danny Elfman's re-recordings of some of Bernard Herrmann's score for the original film, along with a collection of songs in genres from country to drum and bass, connected mainly by titles containing "psycho" or other death or insanity-related words. Many of the songs were recorded specifically for the soundtrack, and included a sampling of Bernard Herrmann's score composed by Danny Elfman. The soundtrack also includes the track "Living Dead Girl" by Rob Zombie, which can be heard during the film when Marion trades in her old car for a new one.


Above Extracts Taken From: http://en.wikipedia.org/wiki/Psycho_(1998_film)

More Info: http://www.imdb.com/title/tt0155975/

Psycho 1960 & Psycho 1998 Comparision

Jackie Brown (Edição de Coleccionador)

Info About The Movie:

Jackie Brown is a 1997 American crime drama film written and directed by Quentin Tarantino. It is an adaptation of the novel Rum Punch by American novelist Elmore Leonard and pays homage to 1970s blaxploitation films, particularly 1974's Foxy Brown.
The film stars Pam Grier (who also played Foxy Brown in the film of the same name), Robert Forster, Robert De Niro, Samuel L. Jackson, Bridget Fonda and Michael Keaton. It was Tarantino's third film following his successes with Reservoir Dogs (1992) and Pulp Fiction (1994).
Grier and Forster were both veteran actors but neither had performed a leading role in many years. Jackie Brown revitalized both actors' careers. The film garnered Forster an Academy Award nomination for Best Supporting Actor, and Jackson and Grier were nominated for Golden Globe Awards.

Plot

Jackie Brown (Pam Grier) is a flight attendant for a small Mexican airline, the latest step down for her career. To make ends meet, she smuggles money from Mexico into the United States for Ordell Robbie (Samuel L. Jackson), a gun runner under the close watch of the ATF.
Ordell learns that another of his workers, Beaumont Livingston (Chris Tucker), has been arrested. Fearing that Livingston will become an informant in order to avoid jail time, Ordell arranges for his bail with bondsman Max Cherry (Robert Forster). Following his release, Ordell promptly lures Livingston out to be killed.
Acting on information Livingston had indeed shared, ATF agent Ray Nicolette (Michael Keaton) and LAPD detective Mark Dargas (Michael Bowen) intercept Jackie as she arrives in the United States with Ordell's cash and some cocaine that Brown was unaware was stashed in her bag. Initially refusing to deal with Nicolette and Dargas, she is sent to jail on possession of drugs with intent to sell. Sensing that Jackie may now be just as likely to inform as Livingston had been, Ordell goes back to Max to arrange her bail. Max arrives to pick her up and, only partly masking his attraction to her, offers to buy her a drink and help determine her legal options.
Ordell later arrives at Jackie's house intending to murder her. She surprises him by pulling a gun she surreptitiously borrowed from Max's glove compartment, however, and barters a deal with Ordell whereby she will pretend to help the authorities while still managing to smuggle $500,000 of Ordell's money, enough to allow him to retire. To carry out this plan, Ordell employs Melanie Ralston (Bridget Fonda), a woman he lives with, and Louis Gara (Robert De Niro), a friend and former cellmate. He also uses a naïve Southern girl, Sheronda (Lisa Gay Hamilton).
With Jackie's help, Nicolette and Dargas arrange a sting to catch Ordell, unaware that Jackie and Ordell plan to double-cross them by diverting the actual money before the authorities make an arrest. Unbeknownst to the others, Jackie plans to deceive all of them with the help of Max in order to keep the $500,000 for herself.
After a trial run, during which Nicolette could observe the operation, the stage is set for the actual event. In a large shopping mall near Los Angeles, Jackie buys a new suit and enters a dressing room. Her role is to swap bags there with Melanie and Louis, supposedly passing off the $500,000 under Nicolette's nose. Instead, she gives Melanie only $50,000 and leaves the rest behind in the dressing room for Max to pick up. Jackie then feigns despair as she calls Nicolette and Dargas out from hiding and claims Melanie took all the money and ran.
In the parking lot, Melanie annoys and mocks Louis until he loses his temper and shoots her. Ordell discovers that Louis has only $40,000 in the bag (Melanie having kept $10,000 for herself after being tricked into doing so by Jackie). Ordell realizes Jackie has taken his money and, angered, kills Louis. Ordell's next concern is the involvement of Max Cherry, having been told by Louis that he spotted Max in the store before the pickup. Lured back to Max's office, where Jackie is said to be frightened and waiting to hand over his money, Ordell arrives armed. Jackie yells out that Ordell has a gun and he is shot dead by Nicolette, who had been hiding in another room.
In the clear with the law and in possession of the money, minus a 10% cut that Max has taken for himself, Jackie decides to leave the country and travel to Spain. Jackie invites Max to leave with her, but he declines before Jackie kisses him goodbye and leaves.

Extract Taken From: http://en.wikipedia.org/wiki/Jackie_Brown_(film)

Trailer From YouTube: