GRINDHOUSE: The Forbidden World of "Adults Only" Cinema

Vice Rackets! Narcotics! Nazis! Nudists! Cults! Wrestling Women! No sooner than the first movie camera was invented, it was put to sordid use. Grindhouse is a sexy and sardonic romp through the history of "adults only" cinema, from the roadshows and "hygiene" movies of the '30s, to the burlesque and vice movies of the '40s, to the Scandinavian Invasion of the '70s. Includes photos of rare posters and lobby cards as well as portraits of the auteurs of the films, such as Russ Meyer and David F. Friedman.

Before the advent of the corner video store, connoisseurs of sex and sensation sought the stuff they loved in grindhouses. Although the low-budget films these low-rent venues screened promised more lewdness, nudity, and weirdness than they delivered, some are monuments of ludicrous filmmaking. Perhaps the best known is Ed Wood's transvestite opus, Glen or Glenda, but it is just one of the daffy and scuzzy movies Muller and Faris note in their decade-by-decade tour of yesterday's prurience. As historically responsible scribes, the pair recognizes the role of such big-budget, more hard-core movies as Deep Throat in the demise of the grindhouse genre and recounts how a film now considered a genuine classic, Tod Browning's Freaks, was once double-billed with classic trash like Wages of Sin and Reefer Madness. Possessed of some reference value for collocating the many titles under which the same sleazy shows were repeatedly recycled, the book's most endearing aspect may be its many illustrations--a rogue's gallery of cheesy publicity for cheesier flickers. Mike Tribby

This text is taken from Amazon site:
http://www.amazon.com/Grindhouse-Forbidden-World-Adults-Cinema/dp/0312146094

More info on the book & main author:
http://www.brightlightsfilm.com/18/18_grind.php
http://en.wikipedia.org/wiki/Eddie_Muller

Cannibal Holocaust (Uncut Version in VHS from Cult Epics)

Info about the movie & related:

http://cultepics.com/new_releases.html
http://www.imdb.com/title/tt0078935/
http://www.amazon.co.uk/Cannibal-Holocaust-VHS/dp/B00005O061
http://shop.ebay.co.uk/i.html?_nkw=cannibal+holocaust
http://s9.invisionfree.com/THE_CINEHOUND_FORUM/ar/t1955.htm
http://s9.invisionfree.com/THE_CINEHOUND_FORUM/ar/t3841.htm
http://www.horrorview.com/movie-reviews/cannibal-holocaust-25th-anniversary-edition
http://www.antigo.turnodanoite.com/DVD/cannibalholocaust.html


Cannibal Holocaust Trailer:

Soundtrack Trailers:

Spaghetti Nightmares (Italian Version)

( http://www.amazon.co.uk/Spaghetti-Nightmares-Italian-Fantasy-Horrors-Protagonists/dp/0963498274 )
( http://www.goodreads.com/book/show/630460.Spaghetti_Nightmares )
( http://en.wikipedia.org/wiki/Cinema_of_Italy#Thriller.2FHorror )
( http://en.wikipedia.org/wiki/Sword_and_sandal )

Cult Movies: The Classics, the Sleepers, the Weird, and the Wonderful

( http://www.amazon.com/Cult-Movies-Classics-Sleepers-Wonderful/dp/0517201852 )
( http://www.goodreads.com/book/show/598559.Cult_Movies )
( http://en.wikipedia.org/wiki/Danny_Peary )

Robot Monster

The Info:

Robot Monster is a 1953 American science fiction film made in 3-D by Phil Tucker. It is frequently considered one of the worst films ever made.^[1]

Plot

The evil alien Ro-Man Extension XJ-2 (who is simply called "Ro-Man" by the humans) has destroyed all but eight humans on Earth with the "Calcinator death ray". The survivors consist of an elder scientist and his family of four, a young assistant to the scientist, and two other unseen assistants to the scientist in a spacecraft bound for an orbiting space platform carrying an also-unseen garrison of human soldiers. All eight have developed an immunity to the death ray as a side effect of an antibiotic serum developed by the scientist (John Mylong).
Ro-Man must destroy the earthbound survivors, albeit by physical means, before his subjugation of Earth is complete. After fruitless negotiations, he destroys the rocket ship headed for the garrison in orbit with the death ray, and later strangles the youngest daughter (Pamela Paulson) off-screen and tosses the younger scientist (George Nader) off a cliff. He is waylaid in his mission, however, after developing an illogical attraction towards Alice (Claudia Barrett), the eldest daughter of the family. He refuses to eliminate her, forcing "The Great Guidance", leader of the aliens, to personally finish the task of genocide by killing Ro-Man (who has just killed the young boy (Gregory Moffett)) with the death ray and unleashing countless blasts of the 'Calcinator death ray', prehistoric dinosaurs upon the Earth and a massive and destructive earthquake, by which time only the elder scientist, his wife (Selena Royle) of twenty years and Alice are the only humans on the planet. Ultimately the youngest member of the family, a boy, apparently wakes up after suffering a mild concussion, revealing that the bulk of the film had presumably been a dream. However, Ro-Man appears coming out of a cave (three times in a row).

Production

Twenty-five-year-old writer/director Phil Tucker made Robot Monster in four days for an estimated $16,000. The film is similar in plot to Invaders from Mars, released a month earlier by Fox. Both pictures contain a young boy stumbling upon an alien invasion who is captured as he struggles to save his family and himself. As the alien commences the final destruction of earth the boy awakens to find it was all a dream. Despite rumors to the contrary, the film did receive some decent reviews and grossed $1,000,000 in its initial release, more than sixty times its original investment.^[2] It was filmed in Bronson Canyon, the site of innumerable motion pictures and TV settings.^[3]
The soundtrack was composed by Elmer Bernstein, who also composed the music for Cat Women of the Moon the same year, and, much more prestigiously The Great Escape, The Magnificent Seven, The Ten Commandments and Michael Jackson's Thriller.^[4]
The film's special effects include stock footage from the 1940 picture One Million B.C., 1951's Lost Continent, and Flight to Mars spliced into the film.^[2] Within the first viewscreen footage is a brief appearance of the 'Rocketship XM' ship during its initial boarding.
The budget did not allow for a robot costume as intended so director Phil Tucker used his friend George Barrows who had his own gorilla suit to play Ro-Man. Phil Tucker added the helmet.
The film was shot and projected in dual-strip, polarized 3-D. The stereoscopic photography in the film is considered by many critics to be of a high quality, and is an extra honor in favor to the crew, who had no experience with the previously unused camera rig.^[5]
In the film's opening credits, "N. A. Fischer Chemical Products" is given prominent credit for the "Billion Bubble Machine", used in the film as part of Ro-Man's communication device for reporting to his superior.^[6]

Aftermath

The poor quality of the movie gave rise to a long-lived rumor within the film industry that the poor reception from audiences caused director Phil Tucker to attempt suicide, with a gun, but missed. According to Keep Watching the Skies!, a comprehensive history of 1950s American science fiction films, author Bill Warren claims Tucker's attempted suicide was actually due to depression and a dispute with the film's distributor, who had allegedly refused to pay Tucker his contracted percentage of the film's profits.^[7]
George Nader won the Golden Globe award in 1954 as most promising male newcomer of the year (although his award was not tied to his Robot Monster performance). He signed with Universal Studios where he starred in secondary features while other male stars like Tony Curtis and Rock Hudson were assigned the major film roles.^[8]
Selena Royle, MGM stock player, had a durable film career starting 1941 until 1951 when she was branded a Communist sympathizer. She refused to appear before the House Committee on UnAmerican Activities and eventually cleared her name but the damage had already been done. She made only two additional films, Robot Monster being her last.^[9]
The film was later featured on the B-movie-mocking television show Mystery Science Theater 3000.

Taken From: http://en.wikipedia.org/wiki/Robot_Monster

More Info: http://en.wikipedia.org/wiki/List_of_films_considered_the_worst#Robot_Monster_.281953.29 & http://www.imdb.com/title/tt0046248/

 The Trailer:

The Poster:

My Private ED WOOD Collection (I)

http://www.imdb.com/title/tt0045826/

http://www.imdb.com/title/tt0047127/

http://www.imdb.com/title/tt0047898/

http://www.imdb.com/title/tt0051434/

http://www.imdb.com/title/tt0052077/

http://www.imdb.com/title/tt0156843/



THE CULTRAILERS

Santa Sangre (Double Disc Special Edition from Anchor Bay)

Movie Info:

Santa Sangre is a 1989 Mexican-Italian surrealist horror film directed by Alejandro Jodorowsky and written by Jodorowsky along with Claudio Argento and Roberto Leoni.^[1] Divided into both a flashback and a flashforward, the film, which is set in Mexico, tells the story of Fenix (Axel Jodorowsky), a boy who grew up in a circus, and his life through both adolescence and early adulthood. Whilst still a child, he witnesses his mother Concha (Blanca Guerra), who is devoted to an armless saint, have her own arms cut off by her enraged husband, and being so shocked by this, he is subsequently institutionalised in a mental sanitorium. Eventually leaving the facility as a man, he becomes his mother's servant, literally acting as her arms, and is forced to commit the murders that she commands.

Extract text taken from: http://en.wikipedia.org/wiki/Santa_Sangre


Movie Director Info:

Alejandro Jodorowsky (Spanish pronunciation: [aleˈxandɾo xodoˈrovski]) (born 17 February 1929) is a Chilean filmmaker, playwright, composer and writer with a large cult following. Best known for his avant-garde films, he has been "venerated by cult cinema enthusiasts" for his work which "is filled with violently surreal images and a hybrid blend of mysticism and religious provocation." ^[1] His most notable works include El Topo (1970), The Holy Mountain (1973) and Santa Sangre (1989), all of which have had limited release but achieved popularity amongst various countercultural groups.^[1] He has cited the filmmaker Federico Fellini as his primary cinematic influence,^[2] and has been described as an influence on such figures as Marilyn Manson^[3] and David Lynch. After a failed attempt to return to filmmaking with a film entitled King Shot starring Marilyn Manson and produced by David Lynch, Alejandro is set to return to cinema with the sequel to El Topo entitled Abel Cain sometime in late 2011 or 2012.
Jodorowsky is also a playwright and play director, having produced over one hundred plays, primarily in Mexico where he lived for much of his life. Alongside this he is also a writer, particularly of comic books - his The Incal even has been noted as having a claim to be "the best comic book" ever written^[4] - as well as books on his own theories about spirituality. Jodorowsky has been involved in the occult and various spiritual and religious groups, including Zen Buddhism and forms of Mexican shamanism, and has formulated his own spiritual system, which he has called "psychomagic" and "psychoshamanism".^[5]

Extract text taken from: http://en.wikipedia.org/wiki/Alejandro_Jodorowsky


Santa Sangre Trailer